Nov 09, 2006 Are they a classic or just another old guitar. The best from Tarrega's school. This method is from spanish guitarist and Tarrega's pupil Emilio Pujol. Compositor emilio pujol escuela razonada de la guitarra pdf guitarrista italiano. Emilio pujol escuela. De la guitarra pdf instrumental; Guitar. Hi there, I'm not sure if anyone is familiar with Emilio Pujol. He was a student of Tarrega and later wrote 4 books of princial based on Tarrega's pratical method. What I'm wondering if anyone here knows where I can get Emilio Pujol Vol. 4 book in english? I managed to get 1st,2nd and 3th. So Hopefully I want the 4th to finish my collection. I really wish to learn a lot of Emilio's and Tarrega of principal of playing. It might give me a lot of chances and experiences to develop better fingerstyle playing. Mostly everyone do recommend to have classical teacher or backgroud to become a stronger player. Jeff Tits and Antoine Dufour for example did mention it. Anyway, I hope someone could help me out! I really appreciate if there is any website I can purchase the volume 4! I'm not sure if this thread is supposed to be here in this section. Feel free to move it to the correct place. So sorry if I'm doing a bit problem here. Hello Zendo, I have some (limited) experience with the Pujol method - I am working through it, currently volumes 2+3. As far as I can say, it is a very thorough and solid method, from which I have learned a greater part of my technique. I don't know if you have already worked through volumes 2 and 3. These two volumes should - like Pujol wrote in the intoduction - 'enable you to perform important works'. I think that is a great part of the classical guitar repertoire. Volume 4 contains studies, 'that are a basis of a complete mastery of the instrument' (cited phrases translated by myself) and starts with Part 5: Virtuosity - I think that says all. In short: Highly recommended - hard work. Greetings from Augsburg, Germany Bernhard. Zendo wrote:Hey guys, Thanks a lot for replying me back! So there is absolutely no idea when the book publisher might translate vol. 4 in english, huh? In that case. Do you guys have any experiences with Emilio Pujol vol 1-3? Are they really good books? I read somewhere on the net around, and it says that these books is highly recommended. My experience is primarily with book 3. When I met my first teacher, he started me on this. I already had some classical guitar experience, but my technique was weak. By working through the exercises in this book slowly and methodically, I noticed significant improvement. My second teacher (a prior teacher of the first) actually studied with Pujol, so he was also a big proponent of the method. He continued to have me work on book 3. I credit that book with much of my progress over the years. I must say, though, that I think a lot of the benefit came from having a teacher who understood the method well. Some of the text in the method can be difficult to interpret, but since my teacher had worked with Pujol he could explain things to me that weren't always obvious in the book. I don't know if this is a big issue, and I imagine it's true with just about any book. You can only go so far on your own reading through a method book--at some point it really helps to have a competent teacher observe from the outside and provide feedback specific to your needs. Sorry for veering off topic a bit. The bottom line is that I highly recommend Pujol. Just pace yourself and really work through each lesson slowly and carefully. Do you guys have any experiences with Emilio Pujol vol 1-3? Are they really good books? I read somewhere on the net around, and it says that these books is highly recommended. I have the Spanish/French version of Volume IV copyrighted 1971, Recordi BA12838. I don't know if it's still in print, but his books are such an important contribution to classical guitar technique that it's hard to imagine them not being printed anymore. I had the great fortune of attending one of his famous Master Classes in Cervera in the summer of 1975. My teacher at the Conservatory would take his family and a few students every year. It was a thrilling experience as well as my first trip to Europe! My teacher used all four of Pujol's Escuela Razonada books. The title says it all. It is a 'rational' method. He tackles just about every aspect of playing and really analyzes each one.
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